From the depths of sonic warfare emerges Stewart Keller's "Short Pause", delivering contemplative ambience, while Walter Campbell tears through reality with haunted musique concrète manipulations. The boundary-obliterating The Corpse Of The Mother Of God unleashes industrial-noise devastation alongside pioneering collaborator Allan Zane. Meanwhile, Joel Kerr weaves introspective soundscapes through modular synthesis, as State Vector Collapse delivers raw, unmastered power electronics from the confines of a professional closet.
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