In a monolithic tapestry of sonic extremes, industrial pioneer Walter Campbell mutates vocals into haunted electroacoustic hallucinations, while The Corpse Of The Mother Of God forges new industrial-noise territories alongside genre veteran Allan Zane. Spectre Horsemen, Pale With Dust conjures extra-terrestrial doom jazz that dissolves into pure ambience, as OVRSCN sculpts amorphous masses of shifting textures through STREGA-processed experiments.
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