In a seismic collision of glacial soundscapes and consciousness-shifting frequencies, Petridisch's 358 delivers Genesis-inspired electronic abstractions, while The Corpse Of The Mother Of God plunges into industrial-noise depths. Missing Scenes crafts Fennesz-like euphoric cascades, as Erorrist weaves haunting piano motifs through existential drone-metal territories. OVRSCN experiments with amorphous textures via Make Noise STREGA, while I Only Like Difficult Art champions avant-garde composition across two mind-bending hours.
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Lars Haur
Sunday P.M. 1990
"Travel back in time to when you were a kid"
julien demoulin
Inner Lives
"Introspective soundscapes and drones, ethereal ambient, sometimes sleepy, sometimes psychedelic, sometimes uneasy...often slow, always dreamy."
