In a seismic collision of glacial soundscapes and consciousness-shifting frequencies, Petridisch's 358 delivers Genesis-inspired electronic abstractions, while The Corpse Of The Mother Of God plunges into industrial-noise depths. Missing Scenes crafts Fennesz-like euphoric cascades, as Erorrist weaves haunting piano motifs through existential drone-metal territories. OVRSCN experiments with amorphous textures via Make Noise STREGA, while I Only Like Difficult Art champions avant-garde composition across two mind-bending hours.
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Max Kutner
Disaffection Finds Its Pure Form
"If one could image Brian Eno and Robert Fripp producing a guitar playing offspring, this is likely what the resulting music would sound like."
Aeons
Into Eternity's Embrace
"A deep-space journey of vast drone ambient and cosmic synth"
