In a seismic collision of glacial soundscapes and consciousness-shifting frequencies, Petridisch's 358 delivers Genesis-inspired electronic abstractions, while The Corpse Of The Mother Of God plunges into industrial-noise depths. Missing Scenes crafts Fennesz-like euphoric cascades, as Erorrist weaves haunting piano motifs through existential drone-metal territories. OVRSCN experiments with amorphous textures via Make Noise STREGA, while I Only Like Difficult Art champions avant-garde composition across two mind-bending hours.
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Ken Wohlrob
Variac
"An un-ambient soundscape with evolving layers that get inside your brain"
Barbara Gogan, Craig Chin, Max Kutner, Tamara Yadao
An Enormous Aunt
"Mental music for the early evening. A performance of a landscape of stillness. An enormous aunt."
