From the depths of digital darkness, distance prefix emerges with abrasive yet melancholic compositions, while Demiurgo weaves a dystopian tale of glitch-laden rebellion. Nathan Plante crafts an enchanted fusion of natural field recordings and modular synthesis, as Alghiz / Gavella Glan guides listeners through mystical winter-synth expeditions. James Parrott bridges retro gaming and experimental drone with Sega Genesis soundscapes, while the microphone is 3 electric guitars delivers an ingeniously unconventional recording technique using vintage piano and electrified potatoes.
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Uncle StinkEye
Evil Seeds
“EVIL SEEDS” feels like a hallucinogenic tantrum in a world gone numb — electric, grotesque, and poetic in its nihilism.

Sonic Oscillations
They Mostly Come At Night... Mostly
They Mostly Come At Night... Mostly, situates itself somewhere between Death Industrial, Power Electronics, Noise, Dark Ambient, and perhaps something not easily defined or recognized.