In a kaleidoscope of boundary-pushing soundscapes, Matt DeMello delivers a truly unhinged B-sides collection featuring doo-wop Sublime covers and banjo-laden LCD Soundsystem interpretations, while Method of the W.O.R.M unearths dark industrial treasures from 1996. Shai Sevin crafts pixel-written verses that deepen with each listen, as pathetique explores subconscious depths through luscious yet jarring soundscapes. Elly Kace investigates self-discovery through sacred mundanity, while Curved Notes embraces hopeful despair in their eerie, melancholic exploration of mortality.